We Do Wood
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We Do Wood was founded in Copenhagen in 2011, based on the vision that new Danish design and strict sustainability principles should be closely intertwined. While not aiming to revolutionise the industry, We Do Wood seeks to contribute to a new era of reliability. Their primary goal is to produce high–quality furniture that embodies both functional and expressive honesty. We Do Wood is committed to consistently pursue superior alternatives and strongly believes in collective responsibility towards future generations. Dedicated to making a positive impact on our planet.

Crafted to Last brings together Anno Studio, Kjellerup Væveri, SPEKVA and We Do Wood in a shared exhibition during 3daysofdesign. Together, the four Danish brands present a curated universe centred around craftsmanship, honest materials, and design made to last. From solid wood and woven textiles to thoughtfully crafted furniture and interior objects, the exhibition highlights a shared approach to creating products with longevity, both in quality and aesthetics. Crafted to Last is a celebration of slow production, tactile materials, and objects created to be kept, used, repaired, and passed on, rather than replaced. At the heart of the exhibition lies one shared belief, that the most sustainable design is the one that lasts.

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Dagmar has over a decade of expertise in restoring and working with classic 20th–century Scandinavian furniture. Rooted in the principles of Scandinavian Modern design, the brand is defined by the balance of beauty, craftsmanship, and function developed during the golden era of 1930 to 1970, a movement that continues to shape contemporary design today.
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Matias Moellenbach is a Copenhagen–based furniture and interior design brand driven by a commitment to producing unique, highly durable items. Known for a diverse and ever–evolving range of interior objects, the studio continually pushes boundaries, refusing to be tied down to a single medium. This year marks a significant milestone for the brand: a 2.0 launch. Expanding far beyond their intense focus on textiles over the past year, this new chapter introduces a wide, ambitious variety of product categories that showcase dedication to material exploration. At this year's exhibition, foundational textiles, furniture, and lighting pieces will be joined by an entirely new lineup of innovative designs.
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Scandinavian office chair pioneer Savo has spent over half a century raising the bar for workspace seating standards. An industry leader with a legacy of innovation deeply embedded in its DNA, the company creates premium workplace seating that blends functionality with clean aesthetics. Designed to adapt to the user’s body, not the other way around, each chair is highly intuitive and reflects the latest human-centric research. Savo is committed to sustainability and embraces a circular economy approach, using a modular design that extends product life through easy repairs and updates.
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2050 Furniture is a gentle rebellion for nature, people, and the future. Today’s conventional furniture industry is resource–intensive and highly centralised. Valuable local resources—such as wood waste—remain underutilised, while many people are excluded from the workforce. 2050 Furniture is created to question and even change this system. This new furniture production transforms local wood waste into high–end furniture through cooperative, local production that fosters inclusive and meaningful employment. 2050 Furniture scales through new furniture series developed in new communities, expanding a local, circular, and regenerative model of production. 2050 Furniture is Doughnut economics in practice.
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