FÓLK
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With deep respect for design and acknowledging the urgent need for a circular transformation, FÓLK creates objects and furniture that enable the circularity of materials. Some of FÓLKs circular designs—such as The Airbag and The Lava Vase—have already become modern design icons, expressing how one’s waste can become another’s treasure. FÓLK explores new circular systems and develops designs from materials that are discarded, disregarded or leftover and through that journey aspires to facilitate people and companies to create more responsible interior solutions.

Based on a a shared curiosity for material experimentation and contemporary Nordic furniture culture FÓLK and danish designer Martin Kechayas join hands in exploring how an established furniture object can gain new character through material transformation and artistic intervention. For the Remixing Collaboration, Martin Kechayas has reinterpreted Gunnar Magnússon’s iconic Lina 99 shelving system from 1972 through colour and composition. The result is a dialogue between Icelandic design heritage, contemporary circular thinking and a more playful, expressive approach to furniture. The remix highlights both the timelessness of Gunnar’s original system and FÓLKs ambition to push Nordic furniture production into new material territories.

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Guided by the philosophy “Flatness is the Point”, Flat Point creates interior pieces that integrate seamlessly with their surroundings. This harmony goes beyond simplicity, becoming a defining point that elevates spatial aesthetics through a refined, minimalist approach. Rather than pursuing variety for its own sake, Flat Point focuses on depth—exploring materials and methods of making with care and precision. Through a balance of aesthetic sensitivity and engineering expertise, the brand shapes its own interpretation of the flat point: discovering quiet, natural moments within restrained beauty.
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United by a focus on material awareness, production quality, and design integrity, the Objects of Desire exhibition presents contemporary practices developed through considered processes and skilled execution. This exhibition establishes a platform which convenes a selected group of international designers and makers working beyond mass production. Designers explore form, technique, and detail through processes informed by material properties and production methods. The exhibited objects are the result of in-depth material research, technical expertise, and time–intensive development.
Objects of Desire
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David Valner has a background in glass design, sculpture, fine arts, and interactive media. David has grown up in a glassmaker family, in the midst of a swarm of traditional artisans–glass lovers, feeling and watching  the physical and metaphorical fire of creation. At the centre of his current approach to glass stands respect for the material as an originally free and fluid mass. Endlessly inspired by nature, he creates collections of objects in which each item is an original and defects are embraced as deeply meaningful and inspirational testimonies to artisan glass making as opposed to mass production.
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101 Copenhagen is a Danish design brand founded in 2017. Committed to exquisite quality and craftsmanship, the brand offers furniture, lighting, and accessories in a timeless yet modern design. With a passion for materials, refined textures, and organic shapes and colors, 101 Copenhagen presents the epitome of classics and must-have novelties for Scandinavian and international interior connoisseurs alike.
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There is something really nice about getting up close—to the furniture, the makers, the production process. A. Petersen creates furniture with a focus on quality, craftsmanship and respect for professional expertise. Theor products are designed, developed and produced in Denmark. Furniture from A. Petersen is crafted with the intention to renew the Danish design tradition and carry it into the 21st century. Not in a grand or rapid way—for the sake of scale or tempo—but in a measured, serious way, for the sake of current time as well as posterity, because furniture should last a lifetime, and hopefully even longer. A good piece of furniture only becomes more beautiful through time and use, as lived life leaves its mark on the materials.
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