Johanson Design
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Johanson has captivated an international audience with its distinctive Scandinavian design. The brand’s production is characterised by high quality and strong design values, emphasising its commitment to offering premium furniture made in Sweden. A flexible manufacturing approach enables tailor–made collections, allowing customers to choose from over 400 RAL colours and more than 100 textile and leather coverings. By collaborating with some of Europe’s finest designers, Johanson remains dedicated to pushing boundaries in product development, exploring innovative forms, materials, and technologies. The current product range includes furniture, sound absorbers, and lighting.

SOLARIS - Copenhagen Circularity – no beginning and no end – an infinity. A symbol of the sun, absolutely crucial for life and movement, today and for all time. Products designed based on circularity of Färg & Blanche, Alexander Lervik, Johan Lindstén and Böttcher & Kayser. Solaris is interpreted playfully and colorfully with soft colours linked to sun, sea, earth, sky and flora. A circular vision takes place both literally and in terms of form.

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Un’common is a Polish design studio creating furniture from the finest materials such as marble, wood, and steel. At the core of the brand lies stone, the starting point of its design language and the essence of its identity. The founders believe that furniture should be more than well–designed functional objects; it should be a feast for the senses. It should evoke emotion and offer a tactile, multi–sensory experience. Few materials achieve this as powerfully as marble. Timeless, refined, and natural, marble has been used for centuries in architecture, art, and everyday life. Its weight, structure, and inherent imperfections give Un’common’s designs a sense of permanence and quiet sophistication.
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MANO design studio is a Seoul–based studio founded in 2016 by Bo Ah Kim. With a background in interior design in Korea and further studies in Product Design in Milan, Kim develops work at the intersection of traditional Korean craft and contemporary design. Her practice focuses on lighting and objects made from Hanji—traditional Korean paper hand–pressed from mulberry bark. Each piece is made by hand: cutting, folding, and stitching to draw out the quiet dialogue between light and material. At the heart of her work is the act of stitching itself. Each stitch is not decorative, but a record—of time, attention, and the steady rhythm of the hand. The work holds what cannot be seen: the duration and care inscribed into every mark.
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