Johanson Design
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Johanson has captivated an international audience with its distinctive Scandinavian design. The brand’s production is characterised by high quality and strong design values, emphasising its commitment to offering premium furniture made in Sweden. A flexible manufacturing approach enables tailor–made collections, allowing customers to choose from over 400 RAL colours and more than 100 textile and leather coverings. By collaborating with some of Europe’s finest designers, Johanson remains dedicated to pushing boundaries in product development, exploring innovative forms, materials, and technologies. The current product range includes furniture, sound absorbers, and lighting.

SOLARIS - Copenhagen Circularity – no beginning and no end – an infinity. A symbol of the sun, absolutely crucial for life and movement, today and for all time. Products designed based on circularity of Färg & Blanche, Alexander Lervik, Johan Lindstén and Böttcher & Kayser. Solaris is interpreted playfully and colorfully with soft colours linked to sun, sea, earth, sky and flora. A circular vision takes place both literally and in terms of form.

Related Exhibitions
Piet Hein (1905—1996) embodies timeless Scandinavian design, seamlessly blending functionality, mathematics, and aesthetics. Renowned for creations like the Superellipse Table, the Sinus Lamp, and the Great Bear candelabra, his designs unite beauty and practicality with a deep intellectual foundation. His legacy extends beyond design, with his famous Grooks—witty, philosophical poems—illustrating his visionary thinking. Today, Piet Hein A/S, a family–owned company, continues his tradition of innovation, ensuring his creations remain relevant for generations.
Piet Hein
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Lighting
Accessories
Part of 2025
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To celebrate 90 years of the Aalto vase, Iittala presents the Aalto 90 Pavilion at Ofelia Plads. Shaped after Alvar Aalto’s celebrated design, the pavilion invites visitors to step inside the form itself and experience an immersive soundscape created especially for the occasion. Within the pavilion, Iittala unveils its exclusive Aalto City Vases, presented as part of the spatial experience. The pavilion is a place for encounters, reflection, and sensory immersion—bringing together past, present, and future through one of the most enduring symbols of design during 3daysofdesign.
Iittala
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Accessories
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HEGE is both a cooking utensil for direct flame use and elegant tableware for the dining table. By combining cooking and dining into one seamless experience, it transforms any space—from the kitchen counter to the balcony—into a place to gather and share a meal. With a portable gas stove, pasta, soup, or cheese fondue can be enjoyed anytime. Crafted from highly heat-conductive aluminum with a ceramic coating, HEGE supports boiling, simmering, steaming, and stir-frying with ease, bringing simplicity, warmth, and satisfaction to everyday dining.
HEGE
January 29, 2026
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Design Studio Lars Vejen is a multidisciplinary design practice based in Denmark and Japan. His work spans a broad spectrum of design disciplines, with a primary focus on furniture, urban elements, lighting, building components and home accessories, realised in close collaboration with traditional craftsmen and established industries. Working at the intersection of architecture and design, he develops products with a profound dedication to people, human interaction and architectural context, where form, function and enduring quality remain fundamental. His work seeks to create design that is of its time, with the ambition to endure as the classics of tomorrow. June 7th 2026, Lars Vejen marks his 30th anniversary as a practising architect.
Design Studio Lars Vejen
March 10, 2026
Furniture
Lighting
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Other Exhibitions
ANDREA TSANG is a Stockholm–based design studio creating objects defined by sculptural restraint, tactile presence, and quiet atmosphere. Rooted in ceramics handcrafted in the studio’s Stockholm workshop, the practice explores how objects occupy space and participate in everyday rituals. Each piece is designed to bring balance, rhythm, and material presence to the home. Founded by Andrea Tsang after a decade in fashion design, the studio reflects her journey between Hong Kong, Shanghai, and Stockholm—combining sensitivity to material, refined craftsmanship, and a disciplined design language. In 2024, the brand opened its first showroom in central Stockholm, an intimate environment where objects and atmosphere can be experienced together.
ANDREA TSANG
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AXOR conceives and manufactures iconic objects for luxurious bathrooms. Developed in collaboration with world-renowned designers such as Philippe Starck, Antonio Citterio, Jean-Marie Massaud, and Barber Osgerby, AXOR products span a wide range of styles. Faucets, showers, and accessories are crafted to the highest quality standards. With expertise that extends far beyond the products themselves, AXOR inspires and enables architects, interior designers, and the design-savvy public. Together with its partners, AXOR shapes water-related spaces that reflect the unique personality of the user. Part of the Hansgrohe Group, AXOR is a forward-thinking brand dedicated to developing distinctive products manufactured with excellence.
AXOR
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Slow Extraction / Dimora Circolare / Wasted / La Mesure. Marco Evaristti is an artist and architect trained in the studio of Professor Henning Larsen. His work operates between art, architecture, and design, examining responsibility and the systems shaping contemporary life. During 3daysofdesign, he presents Slow Extraction at the Odd Fellow Palace. The installation treats furniture as spatial structure—circular forms and cubes creating rhythm and small–scale architecture. Crafted in FSC–certified wood and plant–based textiles, materials remain visible. La Mesure extends the project, focusing on the body as measure and proposing furniture as lived architecture.
Evaristti Studio
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Chen Min Office is a multi-faceted design practice established by designer Chen Min whose production ranges from the design of objects to creative direction. Finding the best bonding point of tradition and modernization, east and west has always been what Chen Min Office is good at. Chinese design must become a language that used by the world instead of staying superficially as some style. Chen Min's goal is to find the Chinese language in the world of design.
Chen Min Office
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