Källemo

Källemo
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Furniture is understood as a concept with a will of its own, conveying a distinct expression. Källemo’s ambition is to create objects that endure over time— aesthetically, artistically, physically and metaphysically. As founder Sven Lundh once stated, “An object shall stand the wear of the eye,” recognising that visual endurance is the most demanding test. Källemo collaborates with designers and artists who value quality beyond trends, while possessing the ability to surprise, challenge and contribute strong personal expressions. The brand places equal trust in the precision of cutting–edge technology and in the hand that adds the final, personal and almost magical touch.

This year, a curated selection of Källemo’s most enduring pieces is shown—reimagined in new expressions—alongside a few carefully chosen novelties, developed in collaboration with Folkform and Mats Theselius. In dialogue with this year’s theme, “Make This Moment Matter,” the exhibition presents design that holds its relevance over time—pieces that endure and remain meaningful. Objects that withstand both time and trends—that “stand the wear of the eye,” as Källemo’s founder Sven Lundh expressed it.

Related Exhibitions
GRID is a flexible, modular interior design system based on the original cube by Peter J. Lassen. Weighing just 800 grams, each cube can carry up to 750 kg. Connect hundreds of cubes in every dimension and customise with a wide range of components, materials and colours to suit your project precisely. From workplaces and retail spaces to hotels, museums and outdoor events, GRID adapts to present needs rather than past limitations. Built to be rebuilt, GRID is designed and made in Denmark.
GRID System
January 4, 2023
Furniture
Office
Part of 2024
Part of 2025
Part of 2026
Akuart is a Danish acoustic design brand developing sound absorbing systems for professional environments. Based on the understanding that sound shapes how space is experienced, Akuart creates modular acoustic solutions that integrate into the spatial framework, combining documented Class A performance with visual precision. Designed for offices, learning environments, care facilities and hospitality, the systems become part of the built structure. Precision–engineered aluminium frames ensure stability and scalability, while high recycled content and design for disassembly support reduced environmental impact and long service life.
AKUART
January 8, 2024
Wall & Surface
Part of 2024
Part of 2025
Part of 2026
Office
Unwanted fibre becomes an UNWONTED experience. The brand makes alpaca duvets from fibres that would otherwise go unused. Across Poland, 47 small farmhouses produce fleece in quantities too small for industrial processing. UNWONTED collects, grades, and processes these volumes into duvets with GOTS–certified organic cotton shells, entirely free of synthetic components. Founded in 2025, the brand bridges Copenhagen design and Polish agriculture, where the founder's father and sister trained as professional shearers to supply the collection. Collection that is limited by the natural shearing cycle. Alpaca fibres accounts for 0.05% of world textile production and the experience of sleeping under it remains unfamiliar to most.
UNWONTED
January 9, 2026
Materials
Part of 2026
Italian creativity, artisan tradition and international vocation are the distinctive traits of Potocco, a family–run company that has been studying and creating furniture for indoor and outdoor environments for almost a century. Founded in 1919 by Domenico Potocco in Manzano (UD), as a small artisan workshop for the production of chairs, Potocco has evolved over the years into a large industrial reality, specialised in the production of home and contract furnishings. A history of excellence that covers the entire 20th century, along a trail of growth which—from its participation to the first Salone del Mobile trade fair as a founding partner—has led Potocco to collaborate with important brands.
Potocco Italy
March 9, 2026
Furniture
Outdoor
Part of 2026
Other Exhibitions
Based in Uji, Kyoto, Asahiyaki is among the oldest ceramic kilns in Japan, having crafted tea wares in the same family for 425 years.
This rich history provides a unique perspective of time. Clay used today was extracted two generations ago, just as new clay is prepared for future generations. Tea vessels are not considered complete when they emerge from the kiln; they reach fulfilment gradually, through years of daily use. Besides making artistic pieces for the tea ceremony and sencha wares for daily use, Asahiyaki collaborates with global brands and restaurants on bespoke tableware collections. Every piece is thrown by hand on the pottery wheel by skilled artisans.
Asahiyaki
January 31, 2026
Quality defines every space and enhances well-being. Walter Knoll furniture engages the senses, conveys appreciation, and shapes outstanding architectural projects worldwide. Since 1865, design and craftsmanship have been based on the finest materials: leather, fabric, and wood. Long-standing collaborations with leading architects like Norman Foster and renowned designers such as EOOS shape the collections. Whether in private homes or prestigious projects like the European Central Bank, tailored solutions create unique, representative spaces. Sustainability, timeless aesthetics, and masterful craftsmanship define every product – built to last for generations.
Walter Knoll
February 3, 2025
Dornbracht provides exclusive designer fittings and accessories for bathrooms, spas, and kitchens. The brand combines iconic design, uncompromising quality, and infinite design freedom, enabling architects and designers to create extraordinary spaces. Since 1950, Dornbracht has maintained a dedicated commitment to craftsmanship and perfectly proportioned design, with every product reflecting the utmost attention to detail. With the highest level of craftsmanship and limitless design freedom, every design detail can be customised. From subtle design modifications to unique, one–of–a–kind editions.
Dornbracht
February 15, 2022
Studio Kajsa Willner creates bespoke design with a narrative and a strong focus on materiality. Through artistic research, low–tech craftsmanship, and conceptual thinking, the studio develops objects, sculptures, materials, and spatial installations, often using waste or secondary materials as a starting point. The work centres around the relationship between people, animals, nature, and resources. By researching historical materials, crafts, and production methods from a time when humans lived in closer symbiosis with nature, Willner seeks to explore empathic ways to relate to contemporary consumption and production.
Studio Kajsa Willner
January 6, 2026
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