Catellani & Smith

Exhibition Award
Pakhus 11, Dampfærgevej 2, 2100 Copenhagen
Design / Dialogue
Pakhus 11, Dampfærgevej 2, 2100 Copenhagen
Catellani & Smith
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Established in 1989, Catellani & Smith reflects the artistic personality of its founder, Enzo Catellani, carrying out, for more than thirty years, work that is in continuous evolution, halfway between art and craft. Enzo Catellani’s lighting creations are objects with a soul, which reveal the importance and unique qualities of a product made ‘by hand’. The distinctive and personal approach to design, together with a constant focus on technological innovation and research, make Catellani & Smith a leading company in the lighting sector. The company is also unceasingly involved in producing custom pieces for private and public spaces, including museums, art galleries, theatres, prestigious hotels, exhibitions and events.

The lighting fitting is a creation with a dramatic impact, due to its volume and to the fascinating light effects created by the interaction between the irregular surface of the spheres and the 24V spotlights within. Each element is supported by a slim cable, positioned at different heights to create a sense of movement and meet a variety of lighting requirements. Available in several compositions with a variable number of pendants and bases in different sizes and finishes. The glass spheres are blown for Catellani & Smith by master Bohemian glassblowers, following a specific design, to get a texture capable of maintaining the transparency of the glass whilst also lighting up itself, thanks to the irregularity of the interior surface.

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Since its inception in 2013, Signe Byrdal Terenziani has facilitated the growth of the design community in her role as Managing Director. It all began as a small design event held in an old warehouse in Nordhavn, a harbour area overlooking Copenhagen’s waterfront. Four Danish brands launched the event as a joint initiative: Montana, Erik Jørgensen (now owned by Fredericia Furniture), Anker & Co, and Kvadrat. At that time, Copenhagen lacked a proper design festival, since the previous annual furniture fair at Bella Center closed down some years before.

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